Presenting Humtap at MediMex festival

I will be co-leading a technological workshop on Music and Artificial Intelligence at this year’s MEDIMEX festival in Taranto, Italy. Alongside me will be Cliff Fluet, partner at Lewis Silkin LLP and a leading figure in the AI Music legal space. The workshop will take place on 8th June and my phase will focus on Humtap’s product and technology.

Presenting GANkyoku at ICMC-NYCEMF 2019

My paper, GANkyoku: a Generative Adversarial Network for Shakuhachi Music, co-authored with shakuhachi master and composer Shawn Head, has been accepted for publication in the proceedings of the ICMC-NYCEMF this year. The paper discusses the process of training the deep neural network, GANkyoku,  which I used to generate the three pieces with the same name. I will give a presentation about the neural network and pieces, which we believe are the first contemporary classical pieces to ever be entirely generated by a deep neural network, at New York University during the ICMC-NYCEMF conference in June.

Interviews with UnTwelve and Shawn Head

After placing second in their 2018 composition competition with ‘Colour Etude I’, I caught up with UnTwelve about microtones, AI and Arabic classical music. Read the full interview here.

I also had the chance to speak with Shakuhachi shihan, Shawn Renzoh Head at length following on from our recordings of the A.I. solo works he commissioned from me,’ GANkyoku’, where we discuss the process of writing Contemporary music with artificial intelligence. Watch the entire video interview below:

Performing 'Fractured' at SMC2018

Looking forward to making my first trip to Cyprus this summer for 2018's Sound & Music Computing Conference. I'll be giving a concert rendition of my iOS work, Fractured, as a piece of performative electroacoustic music. SMC takes place at Cyprus University of Technology, Limassol, from July 4-7. More details of my performance to follow.

Search for 'Fractured' on the App Store to experience the piece for yourself from the comfort of your own home (or anywhere else, for that matter)!


Excited to have just confirmed I will be at impuls next February in Graz, Austria. I'll be doing collaborative work with other composers and performers, under the guidance of some fantastic musicians and mentors. In particular I will be exploring possibilities of new spaces for distributing and interacting with Classical Music, in a project led by Jorge Sánchez-Chiong.

Ambient iOS performance at Daylight Music

Daylight Music, Union Chapel's series of Saturday concerts, will be holding their Piano Day on 31 March, curated by Xenia Pestova. I'll be performing an ambient set using some of my iOS apps which have a keyboard flavour to them, including the free Colour Etude II: Live Electronics app. We're looking at getting the audience involved too, so if you're interested in the event and own an iOS device, why not prepare by downloading the app for free!

The event will also feature a performance of Colour Etude II by myself and Késia Decoté. More details will be announced as they arise.

collaboration with Shawn 'Renzoh' Head


I'm excited to be undertaking a project in collaboration with Shakuhachi player and fellow composer Shawn Renzoh Head. I will be building an artificial neural network and training it on the traditional Shakuhachi solo repertoire, in order to then compose a suite of pieces for Shawn to play. Shawn will aid me in sourcing the training repertoire and creating a machine-readable dataset from it, which we will also make available for others to use in their own projects.

Shawn is the youngest non-Japanese Shakuhachi player to have received his Shihan, or 'Master of Shakuhachi', certification, and was a pupil of my own Shakuhachi teacher, Michael Chikuzen Gould. I'm glad to have him on board with my crazy compositional idea and I look forward to working with him!

'Reformed' in OUA-EMF2017

Reformed will be part of an installation of acousmatic works taking place at Osaka University of Arts Electroacoustic Music Festival. It's scheduled to be played at varying times on the days of November 14th-18th (once each day). The venue is listed as follows: Osaka University of Arts Center for Art Information Center Experiment Dome, Art Hall, Corridor Gallery, AV Hall front

Click here to learn more about the piece, or stream it in full below.

'Fractured' at Woolwich Contemporary Print Fair

Fractured  at  Brocket Gallery

Fractured at Brocket Gallery

Fractured, the multi-sensory interactive installation I created in collaboration with Ashleigh Thompson, will feature at this year's Woolwich Contemporary Print Fair. WCPF is the only print fair in London to deal solely in contemporary printmaking, and the largest of its kind in the UK, set in the impressive former carriage factory at the Royal Arsenal, Woolwich. It will take place from October 20-23, and ticket info can be found here. 



'Colour Etude I' to feature in 'New Music Day' at Sonicscape

Colour Etude I will be diffused on a system of 30 speakers today at Poeun Art Hall in Yongin, South Korea. The art centre features an outdoor exhibition space where the speakers are located, placed around various sculptures, called Sonicscape. The New Music Day event will take place from 12.00pm at Sonicscape as part of a larger Media Art exhibition currently being held at Poeun Art Hall. 

Click here to learn more about the piece, or stream it in full below: